Juliet †Baz Luhrmann production Essay

Romeo seems the the likes ofs of a passionate, amative and excitable young man. He seems to like the idea of being in distinguish, although I would suggest the intuitive feelings he has for Juliet begin and as infatuation and grow throughout the balcony purview. In the beginning of the shooting Romeo is portrayed as determined, wary and possibly a little frightened as he knocks over furniture and scrambles up the trellis. His eyes are incessantly darting about and you sting a palpate of despearned run averagetion because he is panting.When he climbs the trellis in the hope of perceive Juliet scarce discovers the nurse instead, his facial formula turns from champion of lust and longing, to one of utter disgust and horror. When Romeo scurries down the trellis, his de misbegotour is hurried and rushed and we get a sense of urgency as he holds his breath. When Juliet appears from the elevator, he is flattered that she is intercommunicate of him O Romeo, Romeo, wherefore ar t thou Romeo? After a piteous while he begins to shadow her, seemingly taken aback by her affectionate remarks and breathtaking beauty.Romeo seems intimately intoxicated by Juliet he continuously gazes deep into her eyes and follows her truly(prenominal) closely throughout the motion-picture show. When he kisses her although tenderly, I get a sense of hunger and passion he is taken with(p) by every word, which seems to make his infatuation grow. However, he to a fault shows idiotic bravado in the go pocket billiards when he shouts, thy kinsmen are no stop to me. Romeos character in this film also outlines how impulsive and rash he is, as he does not object when Juliet proposes marriage, but instead smiles dreamily into her eyes.He seems devastated when they have to part Love goes toward recognise as schoolboys from their books, but get along from fill out, toward school with heavy looks. Romeo is in sleep with with the idea of have it off and during the course of th e scene he is portrayed as romantic and passionate but also appears to be irrational, impulsive and epic because he is so agreeable. Karen Clark twenty-seventh October 2003 Romeo & Juliet Baz Luhrmann achievement 1(i) Characters and Characteristics Juliet Capulet Juliet seems like a thoughtful, advised and practical young girl.When she enters the scene we see her deep in thought. It is short obvious that she is preferably upset as she leans against the statue with her hand on her hip and a look of dis may on her face as she says Ay me Juliets torso talking to expresses her annoyance her arms are folded when she talks almost rebelling against their family names Whats in a name? That which we c all(prenominal) a rose by every other word would smell as sweet Although when she remarks Doff thy name her expression and speech has changed and become quite dreamy.In this section of the scene we also see the child in Juliet When she says nor any other part belonging to a man she al most laughs, as a child would laugh with innocent embarrassment some a mans anatomy. She appears frightened but practical and dwells on the word expiry in the sentence And the place death, considering who thou art she pushes him in desperation under the water when a security measure guard appears to enclose that all is well, then smiles sweetly at the guard until he leaves. When they engage in their first kiss you see Juliet close her eyes in anticipation, she thinly caresses his face before pushing him a port in embarrassment.Again, during this section of the scene we see the inquisitive child in Juliet as she almost whispers Dost thy love me? it shows how young and immature she is, she is looking for confirmation of his love and looks at Romeo the way a child would look at her father for approval. When Romeo asks O flaging thou leave me so unsatisfied? her reply is one of petulance and shock as she replies What satisfaction evictst thou have tonight? the expression on h er face is one of annoyance and disbelief, I believe that this is the just time throughout the scene that she may question his love for her.Juliet is a very capable young lady who truly believes she is in love with Romeo during the scene she is portrayed as a shy, nai ve and innocent child, but also appears to be a very determined, sensible and practical young lady. Karen Clark 27th October 2003 Romeo & Juliet Baz Luhrmann Production 1(ii) Dramatic Devices In the beginning of the scene we see Romeo climb up the grove wall in complete(a) darkness, but when he enters the swimming pool area the fairy lights illuminate the immediate vicinity, coupled with the flowered trellis this makes the setting quite romantic.You get a sense of the era because the house is traditional in style, from the authentic continental windowpanes to the ageing banister on the balcony. The size of the house, together with the presence of a swimming pool gives the theory that Juliet comes from a very aff luent background. The dress ups seem appropriate for the point in time Juliet wears a simple plain white dress, possibly characterisation virginity and virtuosity and Romeo wears the costume of a knight, which could signify valour and gallantry. In contrast we see the security guard sporting a very recent outfit complete with baseball cap, earpiece and headset.The music used throughout the scene is roughly soft and subtle, although at times it becomes a little bit eerie and has a sense of mystery. The majority of the scene is quite close and the camera angles depict this, although the shot of the Virgin Mary through the curtains and the dropping of the fuck up on the chain deliver a sense of foreboding. Most of the scene takes place in the swimming pool rather than on the balcony and this is dramatised by Romeo and Juliet falling into the pool on two occasions and the subsequent underwater scenes. Karen Clark 27th October 2003 Romeo & Juliet.Baz Luhrmann Production 1(iii) T hemes The theme of the film immediately tells of a nix love, this is shown with Romeos movements at the beginning of the scene He is skulking around in the shadows, panicking when he smashes a statue and hiding when he thinks someone may have heard him. Some other examples of the prohibition are when Juliet addresses the go against her family would have upon the discovery of Romeo in the orchard and when the security guard appears to check that all is well and Juliet immediately submerges Romeo in the swimming pool in an attempt to conceal him.From Juliets aspect we perceive her first love, she gently caresses Romeo wherever possible and we feel a sense of longing and anticipation, possibly because she may feel disloyal and treacherous towards her family if she expands with the alliance. Lust plays a tumid part during this scene, although you get the sense that Romeo believes he is in love with Juliet, at the beginning of the scene while he is still hiding, you get the postage that Romeo wants to touch and be intimate with Juliet from the expression on his face and his body wording.There is also a sense of impending doom, earlier in the scene Juliet says I have no joy of this contract tonight, it is excessively rash, too unadvised, too sudden, too like the lightening, which doth cease to be, this could mean that once lightening has struck all that remains is an empty plaza and charred remnants of what once was, in that respectfore lightening may strike because of the family feud and if they continue to love each other they will cease to exist. Karen Clark.27th October 2003 Romeo & Juliet Baz Luhrmann Production 1(iv) My Response The balcony scene in the Baz Luhrmann production of Romeo and Juliet is in my opinion inadequate. It does not seem to portray Romeo and Juliet as young lovers and the setting is too modern for the Shakespearean language. Had the speech been translated to modern text the film would have been a massive hit as the story of Romeo and Juliet is still extremely pertinent in our modern society.In my opinion the actors did not do the characters any justice, their faces were not innocent enough and they appeared to be much older than we believed Romeo and Juliet to be. I expected the scene to be quite romantic and was most baffle and quite bored very early into the scene. I get the plan from the scene that Juliet is neither virginal nor innocent she seems to know what she wants and has a very adult like way of getting it. She is practical, calm and pushy, much like a manipulative charwoman than an innocent child.Although in the scene we do see aspects of Juliets inner child, like when she innocently asks Dost thy love me? she is seems to be seeking assurances as a child would We also see a mature and confident young lady, from the way she reacts to his plea of dissatisfaction to the way she kisses him so lustfully and skilfully. If she were a child at the age of 13 or 14, I would presume that the physical aspect of their relationship would be attractive new to her and she would be very clumsy, awkward and uncomfortable.On at least(prenominal) two occasions during the course of the scene she pushes him away and then captivates him again, and in my opinion only a more mature and experienced woman would do this, not an innocent child who has met her first love. Romeo is portrayed as a determined and desperate young man, although we see what seems to be reverie during the scene, I believe that Romeo is only infatuated with Juliet. I get the impression that all he wants to do is appease her so that he can return to her bedroom to be more intimate. When he says, O wilt thou leave me so unsatisfied? the reply that he rattling wants to hear is Let us depart to the bedroom and seal our bless of love so he is taken aback with her reply. The way Romeo looks at Juliet throughout the scene is more lustful and hungry than loving and romantic and in my opinion although I would expect this of a 15 or 16 year old boy, the story is meant to be one of love and the balcony scene is the epitome of this love, instead of desperation Luhrmann should have played more towards the romantic side of Romeo rather than the overbearing and ingratiating character he is portrayed as.Karen Clark 27th October 2003 Romeo & Juliet Baz Luhrmann Production 2 Imagery In Romeo and Juliet, Shakespeare uses a variety of languages for various purposes throughout the balcony scene we see many divers(prenominal) linguistic devices including similes, metaphors and oxymorons. These devices are used to build a picture of the scene and also show Shakespeares talent as a playwright.The language of love is particularly powerful within the balcony scene O discourse again, bright angel, for thou art as glorious to this night, being oer my head as a winged messenger of nirvana Shakespeare uses this simile to describe how beautiful Juliet is, he compares Juliet to an angel because she appears at the window ab ove Romeo and is silhouetted by the lamp light from within.Later in the scene Shakespeare uses a metaphor to describe how Juliet recognises Romeos voice, even though they have only just met My ears have yet not drunk a ampere-second words of thy tongues uttering, yet I know the sound. In my opinion this metaphor adds warmth and a strong sense of feeling and atmosphere. Alliteration is used several times throughout the scene The orchard walls are high and hard to climb and How silver-sweet sound lovers tongues by night, like softest music to attending ears This adds emphasis and significance to the descriptions. Towards the end of the scene there are two oxymorons in close proximity, both communicate by Juliet, So loving-jealous of his liberty and Parting is such sweet grief Although contradictory, they give importance to the statements. You may also note that Romeos last-place speech is delivered as poetic imagery, which is especially effective in portraying love. Some of Shake speares imagery presents popular representations of that era.At the time, religion was very important, so by including religious imagery, for example Juliet appearing angelic, it portrays Romeo and Juliets love as heavenly and beautiful, something that was fated or meant to be. Shakespeares natural capacity for the language of love is astounding and impressive and he applies this with unmistakable talent. Without Shakespeares competence with rhyme and imagery, the dialect would never have been so rich. The language of Shakespeare is full of humour, insults, irony and word play and is a joy to wield and a delight to study.